socialist realist
Socialist realism
Social realism as a way of perceiving reality and work in an embellished form appeared in the USSR in the 1930s and was intended to replace the “bourgeois” art, which then included everything that does not glorify the “man of action”. Being ridiculed by Mikhail Bulgakov in “the Master and Margarita”, this approach prescribed the artist to treat his art “on workdays”: how many benefits he received, so much text must pass. Just as in the Union of writers (fictional Bulgakov Massolit), “if a ticket for a week, then the writer must pass a story, for two weeks – a story, and only for three weeks in the “Swallow’s nest” in the Crimea – and the whole novel can be”. Continue reading
Golovin
distinct
grandiose
criminal abbreviations
platitudes
traditions
technique
people
painting
landscapes
tendencies
mnogoletniy
trends
economy
artistic
familiar
government
world
academism
proliferating entities
Polenov
Russian
Levitan
pathetic tragedy
interior
gloating sarcastic
conventions
punk graffiti
emigration
transformation
Korovin
representatives
activities
received streams
understand
examples
famous
wide
expansion
learned
different colors
transferred
picture
domains
professions
circumstances
irreconcilable time
modern
American hobos
subjects
Vrubel worked there
appearance
lazy rhythm
symbolic
reverent attitude
participates
labels and images
paintings
socialist realist