Monthly Archives: May 2019
Artist Sergey Yuryevich Sudeikin
After the October revolution, the artist lived in Crimea for two years, then in Tiflis and Baku for a year, after which he emigrated to France-his way lay from Batumi, via Marseille, and in 1919 the artist moved to Paris. There he became a set designer: collaborates with the theater “die Fledermaus” and “the puppet show”. The activity of these theaters owed its entire existence to Sudeikin. D. Z. Kogan, who studied the artist’s heritage, notes that the creative principles of the artist in many ways influenced and determined the activities of the theater. “Here is a light genre with a claim to meaningful “fooling”, and stylization, and lightweight grotesque, and the sharpness of shifts and shifts, and the confusion of theater and life, truth and lies, and the connection of earthiness and sublimity.” Continue reading
The balance of power in the modern art market: the largest auction houses
If we talk about the current state of the world art market as a whole, then it is” ruled by the ball ” three countries-the hegemon-the United States, China, and the United Kingdom. Everything that happens in this market has changed a lot over the past ten years, not least because of globalization. The UPS and downs of the antique market are tied to economic crises. There have been two significant market declines in recent decades. The first significant drop in sales occurred in the period 1990-91, and was associated with the fall of the yen: the Japanese were always among the most active buyers in the art market. Continue reading
