individual interior items
A significant part of old English engravings are caricatures. The genre of caricature itself existed before. Leonardo da Vinci’s caricatures are known, and many of Bruegel’s and Bosch’s canvases have obvious satire features. But it is in England of the XVIII century that the caricature gains unprecedented popularity and becomes a real phenomenon of public life due to the increased level of education of the population and the great interest shown by all layers of English society to the political life of the country.
The subjects of the cartoons were very different. Artists depicted important events, famous people of the era, scenes of public life, and so on. at the same time, the influence of cartoons on public opinion was considerable. Continue reading
THE ORIGIN OF ENGRAVING IN ENGLAND.
The English school in engraving is much younger than the Italian, German, or Dutch school. The history of English engraving should probably be kept from the end of the XV century. The first known engravings are placed in the book “Mirror of the world”, published in 1480 in Westminster by the English first printer William Caxton. The illustrations in the book are made in the technique of woodcut.
Later, other techniques – copper engraving and woodcut-were also used in England. Continue reading
The culture of the Soviet and post-Soviet period is a bright large-scale turn of the Russian heritage. The events of 1917 became a reporting point in the development of a new way of life, the formation of new thinking. The mood of society in the late XIX-early XX centuries resulted in the October revolution, a turning point in the history of the country. Now she had a new future with her own ideals and goals. Art, which in a sense is a mirror of the era, has also become a tool for implementing the tenets of the new regime. In contrast to other types of artistic creativity, painting, forming and shaping the thought of a person, most accurately and directly penetrated into the minds of people. On the other hand, pictorial art was least subject to the propaganda function and reflected the experiences of the people, their dreams and, above all, the spirit of the time. Continue reading