Parisian women are born with all the flaws, but a wonderful fairy gives any of their flaws charm and charm. This fairy is grace.
The painting “naked” was written by Pierre Auguste Renoir during the transition period of creativity, when the development of his art was approaching the Zenith of glory after difficult years of misunderstanding and sharp criticism: “Rough blotches that evoke thoughts of decaying flesh – so at first spoke of my paintings. It is not surprising that from time to time, Monet and I, in order to distract ourselves, gorged ourselves on a stuffed Turkey, which was filled with Chambertin,” Renoir later recalled. Continue reading
A significant part of old English engravings are caricatures. The genre of caricature itself existed before. Leonardo da Vinci’s caricatures are known, and many of Bruegel’s and Bosch’s canvases have obvious satire features. But it is in England of the XVIII century that the caricature gains unprecedented popularity and becomes a real phenomenon of public life due to the increased level of education of the population and the great interest shown by all layers of English society to the political life of the country.
The subjects of the cartoons were very different. Artists depicted important events, famous people of the era, scenes of public life, and so on. at the same time, the influence of cartoons on public opinion was considerable. Continue reading
THE ORIGIN OF ENGRAVING IN ENGLAND.
The English school in engraving is much younger than the Italian, German, or Dutch school. The history of English engraving should probably be kept from the end of the XV century. The first known engravings are placed in the book “Mirror of the world”, published in 1480 in Westminster by the English first printer William Caxton. The illustrations in the book are made in the technique of woodcut.
Later, other techniques – copper engraving and woodcut-were also used in England. Continue reading